Recording review: Rheinische Post – Geigerin Eldbjørg Hemsing gilt als eines der größten Klassik-Talente (DE)

Von Wolfram Goertz - Rheinische Post, 28. 6. 2020 Oslo Anne-Sophie Mutters Erbin: Eldbjørg Hemsing aus Norwegen gilt als herausragendes Musikertalent. Auf ihrer neuen CD spielt sie die Sonaten ihres berühmten Landsmanns Edvard Grieg. Die Welt schaut seit einigen Jahren gern nach Norwegen, weil das eher unscheinbar an die Westkünste Skandinaviens geflanschte, tief zerfurchte Land der Welt [...]

Recording review: Gramophone Magazine – Grieg

Richard Bratby, Gramophone Magazine - May 2020 Game of Tones? I know it's not the done thing to comment on CD covers, but when an artist has made an effort to look strikingly, it surely deserves mention. Eldbjørg Hemsing stands in a brooding northern landscape, looking utterly commanding; an image which everything about this disc [...]

Recording review: Eldbjørg Hemsing hjem til Valdres med Grieg

Eldbjørg Hemsings spenstige og kraftfulle spillestil får Griegs fiolinsonater til å fremstå mer duggfriske enn noensinne. ★★★★★★ Edvard Griegs tre fiolinsonater tilhører standardrepertoaret for fiolinister, og er noe av det fineste norsk musikkhistorie har å by på. Ved siden av de «Lyriske stykkene» for klaver er sonatene den eneste verkkategori hvor man kan følge Griegs [...]

Recording review: Pizzicato – Dem Ansinnen von Grieg folgend

Rezension von Uwe Krusch - Pizzicato ★★★★ Die drei Violinsonaten von Grieg sind schon eine Welt für sich. Einerseits hochgradig ausgefeilt komponierte Musik, machen sie doch immer wieder Platz für volksmusikalische Rhythmen und Melodien. Diese beiden Schichten, die auch generell ein Charakteristikum der Werke dieses Komponisten sind, lässt manche Hörer an der Werthaltigkeit dieses Œuvre [...]

Recording review: Crescendo Magazine BE

Deux nouvelles visions des sonates pour violon et piano de Grieg Le 13 avril 2020 par Jean Lacroix - Crescendo Magazine Son ★★★★★★★★★★ Livret ★★★★★★★★★★ Répertoire ★★★★★★★★★ Interprétation ★★★★★★★★★ Le hasard des parutions discographiques met en présence deux nouveautés qui proposent chacune une intégrale des trois sonates pour violon et piano de Grieg, dont l’une [...]

Recording Review: Rondo Magazin

Matthias Siehler, RONDO - Das Klassik & Jazz Magazin - 28.03.2020 ★★★★ BIS Records/ Klassikcenter Kassel BISSACD-2456(72 Min., 12/2018, 03 & 09/2019) Sie greift kraftvoll zu, sie klingt rau, kompakt, fassbar. Der Geigenton der jungen Norwegerin Eldbjørg Hemsing atmet nichts Leichtgewichtiges, Esoterisches, Anämisches. Diese Künstlerin hat einen Willen und eine Vorstellung, sie möchte wissen, dabei [...]

Recording review: The Classic Review

Azusa Ueno - The Classic Review March 24, 2020 There is a large gap between Grieg’s first 2 Violin Sonatas and the Third, written 20 years later. Composed when Grieg was 22 (1865), the First Sonata is idyllic and optimistic, and we see him trying to reconcile classical form with unique and nationalist language. Hemsing [...]

CONCERTI review: Volksmusik ihrer Heimat (DE)

Von Roland H. Dippel, 14. März 2020 - Concerti Rezension Eldbjørg Hemsing – Grieg: Violinsonaten Eldbjørg Hemsing und Simon Trpčeski nehmen sich auf ihrem neuen Album der drei Violinsonaten von Edvard Grieg an. Eldbjørg Hemsing fühlt sich dem Schaffen Griegs auch durch familiäre Wurzeln verpflichtet. Ihr Ururgroßvater Anders Nielsen Pelesteinbakken hatte Ludvig Mathias Lindeman eine [...]

Eldbjørg Hemsing spielt Griegs Violinsonaten

Julia Kaiser - rbb Kultur, Montag 16. 3. 2020 Julia Kaiser stellt unsere "CD der Woche" vor   Edvard Griegs drei Violinsonaten gehören zum Repertoire jedes norwegischen Geigers. Eldbjörg Hemsing, 30 Jahre alt, ist mit ihnen aufgewachsen und hat sich auch besonders mit den Volksmusik-Motiven beschäftigt, die in Griegs Musik anklingen. Jetzt hat sie die [...]

Review Vårt Land: I sansingenes rike (NO)

Fiolinisten Eldbjørg Hemsing er for anledningen kledd i en slags huldrehabitt, sikkert ikke bevisst. Men det er jo nettopp denne mytiske fornemmelsen du får av tonene i hennes nye innspilling av Griegs sonater. Av Olav Egil Aune - Vårt Land Vi liker å ha Grieg på vår måte, her oppe i røysa. Fiolinisten Eldbjørg Hemsing [...]

Review in Klassekampen: På hjemlige trakter (NO)

MED VERDEN SOM SCENE: Men det er i Valdres at Eldbjørg Hemsing har sitt feste Egil Baumann - Klassekampen - Mandag, 9. mars 2020 (Print edition) Eldbjørg Hemsing valgt sitt repertoar med omhu på sine utgivelser på det svenske selskapet BIS. Først ute var Hjalmar Borgstrøms fiolinkonsert satt opp imot Sjostakovitsj’ første. Så fulgte Dvoráks [...]

Feature: Gramophone Magazine – The Listening Room

GRAMOPHONE MAGAZINE - The Listening Room: Episode 92 (03.03.20) James Jolly's latest playlist includes a quartet of concertos – Grieg from Eldbjørg Hemsing and Simon Trpceski, Chopin from Benjamin Grosvenor, Mozart from Charles Richard-Hamelin, Tjeknavorian Snr from Tjeknavorian Jnr, and Adès from Kirill Gerstein plus Lili Boulanger songs with Cyrille Dubois, and Walton sung by [...]

Review: GRIEG VIOLINSONATEN by Online Merker (DE)

CD GRIEG VIOLINSONATEN – Eldbjørg Hemsing, Simon Trpčeski; BIS Eldbjørg Hemsing, Simon Trpčeski Grieg: The Violin Sonatas BIS, VÖ 6.3. 2020 Edvard Grieg: Sonate Nr. 1in F-Dur, Op. 8 Sonate Nr.2 in G-Dur, Op. 13 Sonate Nr. 3 in C-Moll, Op. 45Eldbjørg Hemsing: Homecoming (2019) Eldbjørg Hemsing: Ahnenforschung mit Edvard Grieg Auf ihrem neuen Album, [...]

Grieg Recording praised by Süddeutsche Zeitung (DE)

Eldbjørg Hemsing's new recording release Grieg Violin Sonatas together with the acclaimed Macedonian pianist Simon Trčeski on BIS Records received a praising review by Harald Eggebrecht in the Süddeutsche Zeitung´s Klassikkolumne. “The violin tone of the young Norwegian Eldbjørg Hemsing has something spacious, immediate, unseen, nothing pretentious about it. This goes wonderfully with the three violin [...]

Review: Fire Ritual Recording in The Strad

The Strad Issue: June 2019 Description: ‘World music’ violin concertos receive fiery, thrilling performances Theatrical, charismatic and intricately detailed, these two violin concertos by Tan Dun are the perfect showcase for his sensuous sound world. As a teenager Tan became the conductor of a travelling Peking Opera troupe: echoes of its colourful style are never far from his [...]

Review: Dvořák&Suk Recording in Süddeutsche (DE)

"...mit der 28 Jahre alten Eldbjørg Hemsing begeistert nun wieder eine junge Geigerin aus Norwegen. Hemsing ist nicht nur eine feinsinnige und kluge Interpretin, sie entlockt ihrer Guadagnini auch einen sehr persönlichen, unverwechselbaren Geigenton. Zart, intim und filigran wirkt er im Kern, dabei aber selbst im gehauchten Piano noch sinnlich und klangvoll." Julia Spinola | [...]

REVIEW OF DVORAK&SUK RECORDING IN FANFARE

Fanfare Review of Eldbjørg Hemsing's second solo album release "…flawless intonation, a lovely tone, and, in the bargain, magical phrasing. The finest musicians possess both a keen, unique musical insight, and the technical ability to communicate those insights to their audiences. Hemsing is such an artist. And throughout, Hemsing plays with a true sense of [...]

DEBUT CD REVIEW IN DEUTSCHLANDFUNK

Norwegian Discovery - Hemsing plays Borgström Norwegian violinist Eldbjørg Hemsing shows courage. On her debut recording she performs a violin concerto of Hjalmar Borgström, which is almost not known, and one of Shostakovich, on which famous colleagues have overstretched themselves. But Eldbjørg Hemsing already in her first attempt succeeds with grandiosity. Christoph Vratz | Deutschlandfunk [...]

DEBUT CD REVIEW BY RADIO FRANCE

Credits: Photography by Nikolaj Lund

On May 23, 2018 Radio France has featured the debut album of Eldbjørg Hemsing, giving the top rating for this release. The broadcast also featured the entire 1st movement of the Borgström violin concerto. Please click here for the audio stream with the review starting at 40min21sec.

DEBUT CD REVIEW IN KLASSIK HEUTE

Credits: Photography by Nikolaj Lund

"9/10 Stars - Eldbjørg Hemsing succeeds with a convincing debut which makes curious for further releases of this young artist." Norbert Florian Schuck | Klassik Heute | 18th May 2018 Es ist immer wieder erfreulich, wenn junge Interpreten ihr CD-Debüt dazu nutzen, Werke zu präsentieren, die man nicht alle Tage zu hören bekommt. So hat [...]

DEBUT ALBUM ENTERING GERMAN TOP 20 CHARTS

Borgström violin concerto and Shostakovich violin concerto no. 1 With her solo debut recording Eldbjørg Hemsing entered the Top 20 of the German Classic Charts of May 2018, representing the timeframe from April 13 until May 10, 2018. The album which has been released as high-resolution (SA)CD on the acclaimed Swedish label BIS is featuring [...]

DEBUT CD REVIEW IN THE STRAD

"…Eldbjørg Hemsing […] makes a good start with this powerful performance. A gorgeous, open-hearted piece, full of flowing lyricism, to which she brings warm and beautiful playing… Hemsing weaves steadily and unfussily, but with increasing emotional intensity. The finale scuttles along brilliantly." Tim Homfray | The Strad | 9th May 2018 The Norwegian composer Hjalmar [...]

DEBUT CD REVIEW IN PIZZICATO

"PIZZICATO SUPERSONIC AWARD: An excellent interpretation of Shostakovich’s first Violin Concerto is paired with the almost unknown, yet interesting concerto written by Norwegian composer Hjalmar Borgström, which equally experiences a more than adequate performance." Uwe Krusch | Pizzicato | 7th May 2018 Eröffnet wird diese CD mit dem Violinkonzert von Hjalmar Bjorgström. Wie so viele [...]

DEBUT CD REVIEW IN DEN KLASSISKE CD-BLOGGEN

Rating 6/6 Stars: "Eldbjørg Hemsing's wide spectrum of sound and delicate virtuosity fits this concerto very well. She shows a technique and a virtuosity that is admirable. This recording can in many ways be regarded as Hemsing's masterpiece - and she has passed this exam with flying colors." Trond Erikson | Den Klassiske CD-Bloggen | [...]

DEBUT CD REVIEW IN RESMUSICA

"…an outstanding artist with a warm tone, accurate and precise playing… Eldbjørg Hemsing gives the second movement, the Scherzo, a bewitching and hypnotic interpretation, unforgettable. The other three movements, in the pure style of the Russian musician, place this perfectly controlled version at the level of the greatest recordings. The Vienna Symphony, conducted by the [...]

ELDBJØRG HEMSING DEBUT CD REVIEW IN THE ARTS DESK

Credits: Photography by Nikolaj Lund

Classical CDs Weekly: Borgström "Wonderfully played […], Eldbjørg Hemsing’s dynamism and rich, warm tone exactly what the concerto needs. She's really impressive." Graham Rickson | theartsdesk.com | 28 April 2018 Hjalmar Borgström sounds like the name of a BBC Four gumshoe, a melancholy detective solving crimes in downtown Tromsø. He was actually a Norwegian composer [...]

DEBUT CD REVIEW IN RHEINISCHE POST

Musik aus tiefster Geigerseele "The wonderful Violin Concerto in G major op. 14 from 1914 is a real hit, and you can be thankful to the Swedish label BIS for letting the work now appear at its best. The solo part is played by the fabulous young Norwegian Eldbjørg Hemsing: she impresses with a brilliant [...]

DEBUT CD REVIEW IN RONDO

"…with her supreme violinistic ease, sprightly personality and wonderfully clear and pure lyrical tone (2nd movement), the violinist Eldbjørg Hemsing transforms this repertoire rarity into a worthwhile rediscovery or new discovery. Hemsing’s mastery of the entire Shostakovich spectrum, from gloomy bitterness to grotesquely-virtuosic agility, is then demonstrated in her collaboration with the highly committed Wiener [...]

DEBUT CD REVIEW IN CRESCENDO

Eldbjørg Hemsing: Der verschollene Norweger "…jointly with Wiener Symphoniker and Conductor Olari Elts, Eldbjørg Hemsing presents an interpretation which is convincing, rich of colors and personal. With consistently brilliant sound and flexible expression, Eldbjørg Hemsing makes this album absolutely worth listening to." Crescendo | Sina Kleinedler | 20 February 2018 Zwei Entdeckungen auf einem Album: [...]

DEBUT CD REVIEW IN KLASSISKMUSIK

RATING: 6/6 STARS ★★★★★ "… a fabulous discovery … [Hemsing] offers a star performance, technically steady as a mountain goat, bold and assertive where required and sweetly filled like spun sugar in the slow movement… the interpretation of Shostakovich's first violin concerto is more than superb… this recording is strongly recommended.​"​ Klassiskmusik | Martin Anderson [...]