Recording Review: Rondo Magazin

Matthias Siehler, RONDO - Das Klassik & Jazz Magazin - 28.03.2020 ★★★★ BIS Records/ Klassikcenter Kassel BISSACD-2456(72 Min., 12/2018, 03 & 09/2019) Sie greift kraftvoll zu, sie klingt rau, kompakt, fassbar. Der Geigenton der jungen Norwegerin Eldbjørg Hemsing atmet nichts Leichtgewichtiges, Esoterisches, Anämisches. Diese Künstlerin hat einen Willen und eine Vorstellung, sie möchte wissen, dabei [...]

Recording review: The Classic Review

Azusa Ueno - The Classic Review March 24, 2020 There is a large gap between Grieg’s first 2 Violin Sonatas and the Third, written 20 years later. Composed when Grieg was 22 (1865), the First Sonata is idyllic and optimistic, and we see him trying to reconcile classical form with unique and nationalist language. Hemsing [...]

ELDBJØRG HEMSING IN PRESTO CLASSICAL

Eldbjørg Hemsing on Borgström's Violin Concerto Katherine Cooper | Presto Classical | 14th May 2018 For her debut solo recording (out now on BIS), the Norwegian violinist Eldbjørg Hemsing pairs Shostakovich’s Violin Concerto No. 1 with a very different (and far less familiar) work: the lush 1914 Violin Concerto by composer and music-journalist Hjalmar Borgstrøm, [...]

ELDBJØRG HEMSING IN CLASSICAL MUSIC MAGAZINE

Eldbjørg Hemsing prominently featured in May 2018 issue of CLASSICAL MUSIC magazine (UK) Violinist Jack Liebeck curates this strings edition of Classical Music encompassing his many artistic passions, from music education and photography through to practical advice for performers on maintaining healthy technique and taking instruments on tour. Professors Brian Cox, Robert Winston and Brian [...]

ELDBJØRG HEMSING INTERVIEW IN THE ARTS DESK

Credits: Photography by Nikolaj Lund

Violinist Eldbjørg Hemsing: 'in the moments when magic happens, you think, that's why we do this' On a Norwegian rediscovery, communication and twentysomething enterprise by David Nice | theartsdesk.com | 28 April 2018 In a classical recording industry seemingly obsessed with marketing beautiful young female violinists, but very often presenting them in repertoire to which [...]