“…Eldbjørg Hemsing […] makes a good start with this powerful performance. A gorgeous, open-hearted piece, full of flowing lyricism, to which she brings warm and beautiful playing… Hemsing weaves steadily and unfussily, but with increasing emotional intensity. The finale scuttles along brilliantly.”
The Norwegian composer Hjalmar Borgström was famous in his day but quickly fell into obscurity, his music bedded in the Germanic 19th century and considered old-fashioned and ‘not Norwegian enough’ at the beginning of the 20th. His compatriot Eldbjørg Hemsing wants to bring him back to notice, and makes a good start with this powerful performance of his 1914 Violin Concerto.
It is a gorgeous, open-hearted piece, full of flowing lyricism, to which she brings warm and beautiful playing. Her phrasing is supple and nuanced, flecked with neat little touches of vibrato and variations of dynamic. The central Adagio is far-ranging, moving from musing opening to a jaunty central section, and on to something more torridly passionate before leading straight into the dancing finale. Hemsing deftly handles all the transitions.
It is a bit of a gear-change from Borgström to austere Shostakovich (Bruch would have worked nicely). Hemsing weaves steadily and unfussily, but with increasing emotional intensity, to the climactic double-stops of the first movement. In the Scherzo she plays with an edge of violence, biting and snapping. The orchestra matches her vivid playing, but the recording sets it in the background, in a resonant acoustic. She is as fine in the third movement as the first in progressively ratcheting up the tension before easing down into the cadenza, which in its turn grows steadily to a searing climax. The finale scuttles along brilliantly.
“…jointly with Wiener Symphoniker and Conductor Olari Elts, Eldbjørg Hemsing presents an interpretation which is convincing, rich of colors and personal. With consistently brilliant sound and flexible expression, Eldbjørg Hemsing makes this album absolutely worth listening to.”
Zwei Entdeckungen auf einem Album: Die norwegische Violinistin Eldbjørg Hemsing und das Violinkonzert ihres Landsmannes Hjalmar Borgström (1864–1925). Borgström war zu Beginn des 20. Jahrhunderts als Kritiker und Komponist bekannt. In Vergessenheit geriet seine Musik höchstwahrscheinlich dadurch, dass er sich weigerte, eine typisch skandinavische Klangsprache zu adaptieren – wie Grieg es getan hatte. Dennoch zog das 1914 geschriebenes Violinkonzert Hemsing sofort in seinen Bann, auch weil dessen Klangsprache sie an ihre Heimat erinnerte. Im Kontrast zu Borgströms romantischem Werk steht Dmitri Shostakovichs erstes Violinkonzert. Seine Klangsprache ist weniger pastoral, eher dramatisch und schmerzerfüllt, doch auch hier schafft Hemsing es gemeinsam mit den Wiener Symphonikern und Olari Elts eine überzeugende, farbenreiche und persönliche Interpretation zu präsentieren. Mit durchweg brillierendem Klang und flexiblem Ausdruck macht Eldbjørg Hemsing dieses Album absolut hörenswert.
“Forte” is the new feature film from David Donnelly(“Maestro“) on three strong, utmost remarkable and ouststanding women who are achieving unlikely success in classical music: Norwegian violinist Eldbjørg Hemsing, Argentinian composer and conductor Lucía Caruso and Russian-born violinist Tatiana Berman from the United States.
Story:Forte is the international story of three women who are challenging industry norms by making their own rules in a musical genre steeped in tradition. A young Norwegian soloist champions a rare, self-discovered composition and risks a promising career to bring it to life. A small-town girl, born and raised in the Russian Arctic, gives up an executive position at a top artist management corporation to create her own international maverick agency. An Argentinian composer gets the opportunity of a lifetime. And a cultural entrepreneur and mother of three struggles to balance her family and career. The one thing these bold, game-changing individuals have in common is: strength.
Direction/Production: Forte is written and directed by David Donnelly, founder of Culture Monster and director of the acclaimed hit documentary Maestro. It is produced by David Donnelly and Anastasia Boudanoque, founder of Primavera Consulting. Executive Producer is Roland Göhde of the Göhde Foundation.
Filming Locations: Sintra, Portugal; Cincinnati, Ohio; Paris, France; London, England; New York, New York; Rhinecliff, NY; Mendoza, Argentina; Aurdal/Oslo, Norway; Berlin, Germany; Moscow, Russia
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