Eldbjørg Hemsing’s latest album release FIRE RITUAL is featuring Oscar and Grammy winning composer Tan Dun and the Oslo Philharmonic, in a premiere recording of violin concerto “Fire Ritual – A music Ritual for Victims of war“
A splendid combination of purity and sweeping, Heifetz-like intensity
The Strad | By Julian Haylock, 16. November 2018
Dvořák’s sole Violin Concerto is not among his most free-flowingly spontaneous scores. It took him four years (on and off) to complete, by which time the intended dedicatee Joseph Joachim had grown tired of the project and, despite having already advised on several changes, was still unhappy about what he considered the terse bridge between the first and second movements and over-repetitious finale.
Only comparatively recently has it become virtually standard repertoire, yet is remains a problematic work requiring sensitive and impassioned advocacy to sound its best. This it receives in spades from Eldbjørg Hemsing, who sustains high standards of intonational purity and beguiling tonal lustre throughout even most awkward of passages. She also shapes phrases with a chamber-scale dynamic suppleness, in contrast to the majority of recorded players, whose tendency towards special pleading often leads to over-projection.
However, the star turn here is the Suk Fantasy, which sounds (no bad thing) like an evacuee soundtrack from the Golden Age of Hollywood, with Hemsing hurling herself into the fray with an almost Heifetz-like intensity and swashbuckling bravado. Alan Buribayev and the Antwerp Symphony Orchestra provide sterling support and the commendably natural recording opens out seductively when the SACD-surround track is activated.
Violinist Jack Liebeck curates this strings edition of Classical Music encompassing his many artistic passions, from music education and photography through to practical advice for performers on maintaining healthy technique and taking instruments on tour. Professors Brian Cox, Robert Winston and Brian Foster explore the relationship between science and music; the benefits of hand therapy for common musicians’ injuries; CITES and travelling with instruments; the art of photographing performers; and what happens when students exercise their rights as consumers in higher education?
Plus, violinist Eldbjørg Hemsing turns up the Romantic heat in Norway; Joanna MacGregor celebrates the 70th anniversary of Dartington International Summer School; Orchestra Manager of the Year Sue Mallet; percussionist and conductor Thomas Søndergård; the role of a recording producer; Gallicantus tackle Orlande de Lassus’s sibylline prophecies; and osteopathy for musicians.