MUSIKKULTUR – ELDBJØRGS ÆRA

Eldbjørg Hemsing står foran sitt store, internasjonale gjennombrudd. Med seg på reisen har hun en norsk fiolinkonsert som har vært glemt i hundre år.

Publisert 05.02.2018 | Ingvild Amdal Myklebust

Hovedscenen på Nationaltheatret i Oslo har aldri vært større enn den maidagen i 1996. På klakkende bunadsko inntar hun flomlyset sammen med storesøster Ragnhild på åtte. Bak seg aner hun konturene av det tunge sceneteppet og av moren som viser dem riktig neieteknikk. Foran dem venter et bekmørkt folkehav. Hun vet at kongefamilien sitter der ute. Og Wenche Foss som hun møtte i stad. Snart er de framme ved scenekanten. Da skal de løfte opp felene til haka og spille Briskjehauga slik de pleier. Bare en meter igjen nå.

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ELDBJØRG HEMSING ON NRK KLASSISK

Eldbjørg Hemsing on NRK Klassisk: “My Favorite Music”

Eldbjørg Hemsing in “My Favorite Music” on Norwegian governmental broadcasting station NRK takes us from traditional music in Valdres through classics like Bach and Beethoven up to the collaboration with Chinese composer and Academy Award winner Tan Dun and to a new release of the Violin Concertos by Borgström and Shostakovich.

Eldbjørg Hemsing shares stories that shed light on the music with program director Stein Eide.

The 1h54min radio feature in Norwegian language can be listened to at following weblink:

> Eldbjørg Hemsing – NRK Klassisk “My favourite music”

MOMENTS OF ETHEREAL BEAUTY

“Moments of ethereal beauty as the violin’s melody intertwined with those of the woodwinds” – Reviewed at National Concert Hall, Dublin on 3 November 2017

“Dvořák’s Violin Concerto in A minor is at times an elusive concerto to pull off: true to violin concertos of this era, it is not short on virtuosic bravura passages yet its subtle, restless character is a much harder selling point. This was the focus of the soloist, Norwegian rising star Eldbjørg Hemsing as she eloquently meditated on the more wistful writing of the first movement. At times, as high up on the G string in the recapitulation of the opening Allegro, she overindulged in vibrato which obscured the tender lyricism but there were moments of ethereal beauty as the violin’s melody intertwined with those of the woodwinds. The octaves and double stops glowed with passion while the scales and arpeggio were executed with laser-like precision. Her luminous tone added lustre to the ruminative lyricism of the second movement while the NSO responded with a warm and sensitive accompaniment. It was in the mercurial finale that musician and music struck the most rewarding balance. The Slavic folk tune glistened with meticulous light-hearted good cheer, with sharp rhythmic delineations from the orchestra. Capturing the exquisite, ephemeral soundscape, Hemsing expertly handled the shifting cross rhythms and the fiendish octaves, bringing this concerto to an energetic and satisfying close.” > Video Excerpt from Concert of Eldbjørg Hemsing with RTE Symphony Orchestra under Miguel Harth-Bedoya